HTML5 Subbing system for pages 970px wide

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29-05-2012

(H1) By Christopher Long

(H2) By Christopher Long

(H3) By Christopher Long

(H4) By Christopher Long

(H5) By Christopher Long

(H6) By Christopher Long

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(P class="intro") Image 970 A study of a small ensemble of houses and agricultural buildings in the Bocage Virois which, it is believed, span the 16th to the 19th centuries. This group of buildings is notable for having remained almost intact but also as a rare example of a Normandy hamlet (village or hameau) that has been left virtually untouched by the the effects of 20th and 21st century farm practice and 'improvements'.

(P class="introlt") Image 970 A study of a small ensemble of houses and agricultural buildings in the Bocage Virois which, it is believed, span the 16th to the 19th centuries. This group of buildings is notable for having remained almost intact but also as a rare example of a Normandy hamlet (village or hameau) that has been left virtually untouched by the the effects of 20th and 21st century farm practice and 'improvements'.

By Christopher Long

(P) (IMG class="rightpara") (Image 310) In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'.

(P) (IMG class="left310") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="left300box") (P) (IMG class="right290") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P) (IMG class="left207") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="right300box") (IMG class="right290") (P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="left300") (IMG class="right310") (P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="right300") (IMG class="left310") (P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="left200") (IMG class="left227") (P class="arialragged") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="right200") (IMG class="right227") (P class="arialragged") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="left200box") (IMG class="left207") (P class="arialragged") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="right200box") (IMG class="right207") (P class="arialragged") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class = "multicolumn338" IMG class = "left165" ) From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'.

From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

HTML5 Subbing system for pages 970px wide

29-05-2012

(P class="intro") Image 970 A study of a small ensemble of houses and agricultural buildings in the Bocage Virois which, it is believed, span the 16th to the 19th centuries. This group of buildings is notable for having remained almost intact but also as a rare example of a Normandy hamlet (village or hameau) that has been left virtually untouched by the the effects of 20th and 21st century farm practice and 'improvements'.

By Christopher Long

(DIV class="width600") (P) (IMG class = "right290") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'.

(DIV class="width600") (P) (IMG class = "left290") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'.

(DIV class="multicolumn4") (IMG class="left227") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="multicolumn3") (IMG class="left310") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. The wise words of the author

In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="multicolumn2just") (IMG class="left475") From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(BLOCKQUOTE class="twocol") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period (/BLOCKQUOTE). (CITE>The wise words of the author

In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(BLOCKQUOTE class="threecol") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. The wise words of the author

In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(DIV class="multicolumn1just") (IMG class="left100") Any image size of 100 207.5 227.5 252.5 290 310 455 475 970 From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In the author's view, the famous 'arras' referred to by Shakespeare was not a tapestry hanging against a vertical side wall but rather a tapestry or woven 'partition' (which the English would naturally have associated with the great weaving city of Arras in northern France, to which they exported wool and which was once their colonial possession) which would have hung between the gallery and the hall floor, thus separating the 'lord's' private space in his hall from a communicating service corridor under the gallery and 'behind the arras'. From behind this 'tapestry or 'arras' the servants might indeed have overheard their lord or king discussing private business. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

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H1 www.ChristopherLong.co.uk

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W

this respect, (P class="drop") W (P) Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

X

this respect, (P class="dropred") X (P) Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

Z

this respect, (P class="dropred") Z (P) Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P) In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just14") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just13") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just12") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just11") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just10") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

("just9") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just8") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just7") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="just6") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="head") www.ChristopherLong.co.uk

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(P class="credit") www.ChristopherLong.co.uk

(P class="intro") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="intro12") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="small") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="verysmall") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="notes") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="notesleftlt") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="noteslt") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="letter") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="lettersm") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="lettersmleft") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

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(PRE) In this respect, Court Lodge (Westerham, Kent, England)
provides a perfect example of a C15th or C16th 'seigneurial'
layout with a galleried hall that has its exact parallel in Normandy
at the same period. In this respect, Court Lodge (Westerham, Kent,
England) provides a perfect example of a C15th or C16th 'seigneurial'
layout with a galleried hall that has its exact parallel in Normandy
at the same period. In this respect, Court Lodge (Westerham, Kent,
England) provides a perfect example of a C15th or C16th 'seigneurial'
layout with a galleried hall that has its exact parallel in Normandy
at the same period.

(P class="sign60") ChristopherLong

(P class="sign60") ChristopherLong

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(P class="copy") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

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(P class="arial") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

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(P class="kingthings10") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="kingthings12") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="kingthings18") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="kingthings24") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="kingthings48") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="kingthings60") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

(P class="royal") 10/15pt. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.

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(P class="rotate-45") Christopher Long

(BLOCKQUOTE class="twocol") In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period (/BLOCKQUOTE). (CITE>The wise words of the author

In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. The wise words of the author

• 
  In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period. In this respect, Court Lodge provides a perfect example of a C15th or C16th 'seigneurial' layout with a galleried hall that has its exact parallel in Normandy at the same period.
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  Image 4 This is just to see what happens if you add too much text.
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  Image 2 This is just to see what happens if you add too much text.
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